My work is more than anything an invitation for viewer to enter dreamlike, sometimes surrealistic worlds. I want the viewer to escape for a few seconds from their day-to-day reality without asking questions, only enter and dream, like a type of hallucinogen…
An art critique by (Martin Astorga) Paz Viola eludes to straight-forward interpretation: rather, I have defined his own landscape, articulating new horizons of joyful inspiration, with singular effects of light and shade, of dreamy colors in their textures and shapes.
"All works are born from the pulsation of inspiration: all images are born from a point and a line." It's like another layer of human thinking, another territory that will suddenly give me a sense of timelessness.
Art is of utmost importance for the world: it is an instrument and an important form of human dialogue. Art is the cornerstone upon which culture is built, and throughout the history of art we see the most significant manifestations of being. Art has transformed, from political and social critique and voice of advocacy to a more universal, spiritual and cosmic expression.
When I paint, I let emotions and intuition lead the way. My works do not make statements, which I believe come from the fictitious, intellectualizing self, against which I jealously guard. Nor is my art a transmutation of symbols and ideas into their equivalents in images or forms. When I create, I do not begin with the end or even a plan in mind. Instead, I leave empty space to allow my subconscious self to take over.
I vividly remember the moment when an abstract painting by Matta captured my imagination as a seven-year-old. I was flipping through an old textbook, and an image sucked me in like a whirlpool or wormhole of sorts, into the inner world of the artist.
To me, these images are the poetics of light channeled by the artist as a conduit. The light is transmitted from elsewhere—perhaps from an alternate universe